Hippie Sabotage is a Sacramento-born brother duo, Kevin on guitar and Jeff on beats, blending moody melodies with chesty bass. They built a lane between chillwave, trap, and indie pop, with live guitar giving their drops a warm, human edge.
Melancholy meets sub-bass
Expect a set that pulls from
Devil Eyes,
Your Soul,
Options, and their flip of
Stay High. Crowds skew mixed in age and background, from early SoundCloud diggers to newer festival-goers, with more nodding and swaying than push pits. They first made noise flipping
Tove Lo, then kept the momentum with guitar-forward originals that stream well but hit harder live. A neat detail: Kevin routes his guitar through an octave and filter so it can sit like a synth when the sub is heavy.
Notes, flips, and a likely flow
Note that I'm inferring the likely set and production choices from past shows, not a confirmed plan for your night. Expect quiet bridges, bass that blooms rather than blares, and a pace that lets hooks breathe.
Around a Hippie Sabotage Show: Small Details That Matter
Style cues and shared rituals
The scene leans calm but tuned-in, with hoodies, thrift denim, and a few tie-dye pieces next to simple black caps. Many fans are SoundCloud-era loyalists who still know the old flips, while newer faces show up for the big singalongs. You will hear the room chant the duo's name between songs, and whispers swell on the hook before
Devil Eyes hits.
How the night feels offstage
A handful bring disposable cameras and tote bags, and some trade simple bracelets near the rail. Merch trends soft and wearable, with washed hoodies, understated logos, and the occasional guitar-graphic tee. The vibe is social yet respectful, with space left for quiet bridges and phones going up mostly for the first big drop. Older fans swap stories about early upload days and compare recent setlists, keeping the lore in circulation.
The Hippie Sabotage Sound Under The Hood
Music first, spectacle second
Live,
Hippie Sabotage keeps the mix clear, with kick and sub carving space while guitar paints the top line. Vocals are mostly sampled or looped, shaped to sit like an instrument, with short hype lines instead of full verses. Arrangements favor slow-burn intros that bloom into half-time drops, turning 140 BPM frameworks into a 70 BPM sway.
Small choices, big feel
The guitar often runs through an octave pedal and a touch of fuzz, giving a synth-like thickness without losing the human rasp. They like to extend a breakdown by an extra 8 bars to let the room breathe before the drop reenters. A subtle trick they use is dropping a song down a half-step live to darken the color while keeping comfortable shapes on the fretboard. Lighting tracks the music with cool blues in quiet moments and warmer hits on impact, always serving the sound first.
If You Like Hippie Sabotage, You Might Drift Here Too
Where tastes intersect
Fans of
Louis The Child will connect with the bouncy, pop-leaning drops and easy chorus hooks.
San Holo shares the guitar-friendly future bass palette and those emotional chord lifts that feel personal.
Kasbo leans on atmospheric builds and bittersweet moods that bloom rather than slam.
Kindred sounds on the road
Big Wild brings organic percussion and wide-screen melodies that mirror the duo's open-air vibe. If you like how these artists balance melody with low-end warmth,
Hippie Sabotage sits in that pocket. The overlap runs on feel: songs you can sing with and then sink into when the beat slows.
