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1tbsp is the club-minded project of Brisbane producer Maxwell Byrne, the same mind behind Golden Vessel, but aimed squarely at the dance floor.

House roots, indie heart

Where Golden Vessel leans mellow and textured, 1tbsp pushes bouncy house, cut-up vocals, and hand-played percussion that feels human. Expect long blends between original cuts and cheeky edits, with likely peaks on 2007, Four Tet Is My Godmother, and No Nein.

What the room feels like

He often stretches a hook for an extra eight bars so the room can breathe before the drop. The crowd skews mixed: indie fans from the Golden Vessel days, local DJs comparing notes, and friends who came to dance without posturing. Clothing leans practical and light, with earplugs, small sling bags, and a few people taking quiet phone clips for later track-ID hunts. Trivia heads notice he self-releases through a small collective and sometimes builds beats from phone-recorded shakers and bottle taps captured on the road. A few 1tbsp skeletons started as slower Golden Vessel sketches later sped up into house tempo. These notes about songs and production are considered guesses based on past shows, and the real set could head in a different direction.

The 1tbsp Scene: Small Gestures, Big Glow

The scene around 1tbsp leans communal and low-pressure, with circles of friends carving gentle space for each other near the middle.

What people wear

Fits mix airy shirts, thrifted tees, loose trousers, and beat-up sneakers, plus the occasional cycling cap or tiny shoulder bag. People cheer for clean blends and little fake-outs, and you will hear a quick count of fours before a big kick return.

Shared habits on the floor

When a vocal hook repeats, some pockets of the room sing the chopped phrase like a chant, more grin than scream. Merch usually means minimal logo tees and a bright risograph poster that can disappear by the last third of the set. Between songs, you can spot folks comparing notes on track IDs and trading favorite mixes from the last year. It feels like a small-city dance community that values patience, groove, and leaving the room lighter than they found it.

How 1tbsp Shapes the Room: Music First

Onstage, 1tbsp treats vocals like instruments, cutting them into short syllables that bounce against the kick.

Groove first, gear second

Drums sit dry and upfront so the groove feels snappy, while keys and pads stay warm and short to leave space for the bass. He favors quick arrangement moves, dropping the low end for just a bar or two before a hook returns, which keeps the floor alert.

Tiny moves, big changes

A lesser-known habit is swapping kick samples mid-track to flip the feel without changing the tempo, a small tweak that opens the room. You might also hear him pitch a vocal chop down live, then filter it open so the original tone blooms as the hats lift. Tempos hover in the house pocket, but transitions are nudged by ear rather than rigid grids, which makes blends feel human. Visuals tend to be soft color washes that serve the rhythm instead of stealing focus from the music.

If You Like 1tbsp, You Might Like These Too

Nearby sounds, same spirit

Fans of Four Tet will find a similar love of warm, loop-based momentum and subtle left turns. Ross From Friends shares the home-brew textures and a habit of folding nostalgia into modern house grooves. DJ Seinfeld overlaps on woozy chords and punchy drums that stay friendly rather than severe. If you like pop-savvy builds and cathartic drops, Fred again.. sits nearby, though 1tbsp stays more pocket-sized and quicker-footed.

Why the overlap works

All of them court a crowd that values melody as much as movement, and they thrive in rooms where editing live feels as important as pressing play. That shared approach makes it easy for fans to cross over between bills and still feel at home.