Trombone Shorty & Orleans Avenue: LET’S GO GET ‘EM TOUR presale codes

Trombone Shorty & Orleans Avenue came up from Treme parades, turning brass-band fire into a tight, modern funk engine. The band blends second-line rhythms, rock crunch, and jazz phrasing, built to move but still crisp.

From Treme kid to global bandleader

He cut his teeth in New Orleans clubs before breaking out with Backatown, and by 19 he was touring in Lenny Kravitz's horn section. Expect a set leaning on Hurricane Season, Do To Me, and Buckjump, with a New Orleans nod like On Your Way Down. The crowd skews multigenerational and open-eared, from brass-band devotees to festival explorers, with lots of dancing and call-and-response claps.

Little details that tell the story

One quirk is how he flips from trombone to trumpet mid-song to answer his own lines, a flashy move that also tightens the arrangement. Another is the Trombone Shorty Foundation connection, which sometimes brings young horn players onstage for a spotlight moment. These setlist and production notes reflect informed expectations based on recent runs, not a guaranteed script.

Parade Inside The Venue: Trombone Shorty & Orleans Avenue Scene Notes

The floor often shifts into a polite second-line, with pockets of fans twirling handkerchiefs or little parasols between songs. You will spot black-and-gold touches, brass-pin jewelry, and sneakers chosen for dancing more than posing.

Call-and-response in real time

Chants are simple and communal, like a room-wide "Shorty!" right before the horn stabs or clapped patterns that mirror the snare. Merch trends toward horn-silhouette tees, Mardi Gras colorways, and posters that nod to Treme and Tipitina's.

Culture you can hear and see

Between songs, people trade parade-route stories, Jazz Fest memories, and favorite solos from past tours. The mood stays generous, with longtime locals and first-timers sharing space without fuss. Encores usually trigger that side-to-side bounce that says it is a New Orleans night, even far from home.

Brass Tacks, Funk Facts: Trombone Shorty & Orleans Avenue Onstage

Vocally, Shorty keeps lines clean and direct, saving grit for choruses while letting the horns carry the heat. Arrangements stack guitar, baritone sax, and keys on the downbeat so the trombone can glide up top without crowding.

Built to groove, not to show off

Tempos often launch mid-speed, then flip to a parade bounce for solos before snapping back to the hook. The band feels like a compact brass engine, with drums and percussion locking a shuffle while the bassist ghosts notes to thicken the swing. A lesser-known habit is the way he tags outros with classic second-line quotes, so you might hear a flash of When the Saints Go Marching In or It Ain't My Fault before a hard stop.

Small tricks, big payoffs

He will start a riff on trombone and answer it on trumpet inside the same eight bars, using quick mic swaps and steady breath to keep it seamless. Lights lean warm and saturated to flatter the brass, keeping the ear on groove first and spectacle second.

Kinfolk Of The Groove: Trombone Shorty & Orleans Avenue Fans Might Also Roll With

Fans of Galactic often click with this show because both acts push New Orleans funk with modern bite and drum-forward grooves. Dumpstaphunk shares the same low-end swagger and horn-friendly space, so the crossover in dancing, chant bursts, and deep-pocket basslines is strong. If you like tightly arranged instrumentals that still feel loose onstage, Lettuce hits similar notes with crisp guitar stabs and elastic tempos. Blues-leaning listeners coming from Tedeschi Trucks Band will find common ground in long-form builds that bloom into brassy payoffs. All four acts draw from soul, jazz, and street-parade traditions while keeping the focus on rhythm and feel. The overlap is less about labels and more about bands that make improvisation easy to follow. That shared intent makes bouncing between these tours feel natural across a season.