Bedroom pop roots, drummer's instincts

Landon Conrath is a Minneapolis songwriter, producer, and former drummer whose indie-pop leans bright and rhythm-forward. He built an audience with self-recorded tracks released during college, balancing glossy hooks with diary-style lyrics. On stage he fronts a tight trio or quartet, singing and playing guitar while leaning into dancey grooves. A realistic set could feature 2AM and lowercase, with a surprise older single slotted mid-set and a quiet acoustic moment before a big closer. Expect a cross-section of local indie fans, bedroom-pop listeners, and young musicians clocking the drum parts, along with a few older heads from the Twin Cities scene. Trivia: he began as a session drummer around Minneapolis and still tracks many percussion layers himself. Some early demos were uploaded from a dorm room and later re-cut for streaming. I am inferring likely songs and production touches from recent shows and releases, and the exact plan may shift from night to night.

Songs to expect and who shows up

Indie-Pop Clubhouse, Midwest Edition

Casual color and DIY touches

You see thrifted denim, clean sneakers, and a few vintage Twins caps mixed with pastel hoodies from prior runs. Fans trade song theories respectfully, point out guitar pedals, and cheer when a drum fill calls back to a recorded detail. Call-and-response oh lines tend to swell by the second chorus, and quiet verses earn real hush before the beat returns. Merch leans simple fonts, small logos, and tote bags that fit the home-recording vibe. Phones are out for choruses but pockets during the acoustic number, often by unspoken agreement. After the set, people linger to talk about production choices and favorite bridges rather than just the big chorus.

Shared moments that stick

Pocket First, Pop Second

Pop polish, drummer's pocket

Landon Conrath's voice sits light and clear, with a slightly husky edge when he pushes the choruses. Guitars favor bright, chiming voicings that leave space for bass and a tight kick and snare pocket. Live, the band often trims intros and extends post-choruses so hooks can breathe without dragging. He likes to flip grooves to half-time in bridges, then snap back to full speed for the final run, which makes the last chorus punch harder. A neat quirk is that the rhythm guitar will sometimes capo high and double a synth line, giving the riff a jangly sparkle that feels different from the record. Lights tend to color-code moods rather than distract, cueing warm tones for confessional lines and crisp whites for the danceable parts. Drums stay dry and close, with short reverb so the lyrics cut through.

Small changes that shift the feel

Like-Minded Roadmates for Landon Conrath Fans

Where bright hooks meet clean grooves

Fans of Dayglow may connect with the sunny guitar lines and clean, upbeat drums. If you love COIN, the crisp hooks and shout-along choruses hit a similar sweet spot. The diaristic writing and soft-edged production should also land with Jeremy Zucker listeners. The heart-on-sleeve popcraft and studio-first mindset overlap with Alexander 23 crowds. All four acts favor bright melodies over heavy distortion, and they work small dynamic shifts for big payoffs. If those names sit on your playlists, this show lives in the same lane.

Why these scenes overlap